As I'm posting this we are also having an e-book fair. The button that will get you there the easiest is just up and to the left of this posting.
Friday, July 5, 2013
Ascendency Rising
It's been a busy week, I started working on this book and haven't gotten too far on it but it's looking like I've got a novel. Several chapters are started and will need further fleshing out. I'm hoping that everyone likes the cover, it resulted from the heavy photoshopping of the various image elements that makes it up. Quite often, when I have enough that I realize I'm onto a full length story I create a cover. I really hope everyone loves the book itself after I've finished writing it. So far, there's quite the fair bit of supernatural and paranormal horror that's built into the work in progress. It starts out in 1964 and the Mississippi river delta with a demon birth. We'll see where it leads to, but I like what I've written so far.
Thursday, July 4, 2013
An interview with Janet Morris
I conducted an interview with Janet Morris last night. It was really good.
Brian: Welcome Janet, Sacred Band of Stepsons and a number of the other books are mythological fantasy books. What do you find most appealing about the genre?
Janet: I am always writing about the human condition, which means writing about our brains, our souls, our bodies, and our place in the universe, all of which are central to mythopoeic thought. Now that we are learning more about ourselves, we are learning that humans naturally organize information into story form. That's the logical explanation. Noe the illogical explanation: I feel the mythos moving; I'm drawn to stories that connect to our most ancient notions of self and world; and -- when I am lucky, I find a tie of myth that carries me farther into story and mystery than logic can ever take me.
Brian: Do you have a particular favorite of the books you've written?
Janet: Of the books I've written, or co-written, The Sacred Band (with Chris Morris) and I, the Sun are my favorite. Tempus and the Sacred Band of Stepsons, more than any other characters or stories, take me "a world away," as mythos and ethos mix, and story becomes the glue for a metaphysical and visionary experience that some call "myth" and some call "heroic" and some call history. I call it the book I want to read, which is what I always write. I the Sun was an entirely different challenge, since fragments of the first-person annals of the viewpoint character exist in the historical record. But Suppiluliumas grabbed my heart, brought me to the world of hist story, and if not for him in his demanding world of historicity and passion, I never would have found my way to Tempus and the Sacred Band of Stepsons. I have written many novels and stories with strong intellectual foundation, intriguing suppositions upon human and superhuman nature, but these two are transport me like no others.
Brian: Most recent was "I, The Sun." I'm sure it took a lot of research. What is the most interesting you uncovered while writing the book?
Janet: While writing I, the Sun, I uncovered my own passion for the Ancient Near East, early civilizations, and the truth that reaches across the ages to ennoble us. Suppiluliumas' own annals, both as paraphrased by his descendants and in fragments that remain begin: "Thus speaks the Sun Suppiluliumas, Great King, King of Hatti, Favorite of the Storm God, the Valiant." He was all of those. Falling in love with this king brought me reaches beyond counting. I hired Calvert Watkins, then at Harvard, as my consultant. I studied hard and long. But most of all, I let Tasmi take me into a world that shaped our own. I found, and find, it fascinating to mix fact and fiction, historical and scientific rigor with poetic flight. I suppose I am still in love with this king, and his time, and the ethos behind him, but I have used the approach I learned writing his story to enrich many other stories, in fiction and fantasy both. So it wasn't so much facts that I learned, but how to subsume myself in a character while staying true to a story's historic and visionary nature.
Brian: The covers are works of art in my opinion. Who designs them?
Janet: I hope you're correct and that the covers are, if not works of art, then worth of the stories they contain. They are, at least, from works of art: the greatest artists of all the ages are available today to one who looks for them. I was truly insulted by many covers put on my books by New York publishers. One of the reason we decided to try small press publishing was to get cover control. I choose the art, which is often Old Master or Classical or Baroque art; then I work with my cover designer, Sonja Aghabekian, by sending her a scan of the painting I want to use and telling her which detail of the painting I want to make most important. I then let her suggest several approaches, calligraphy, and nuance the front cover. When I have worked with her to select what may be one cover approach out of three or four, we move to the back cover design. We try to remain flexible, but we set a general style for each series and we flex within the goals we have established. On single novels or anthologies, we can be very bold. When you see the next two Beyond books, Beyond The Veil and Beyond Wizardwall, which are finished and waiting for production to catch up, you'll see a truly remarkable trilogy approach to covers: each of these Rubens covers contains the gray horses that Tempus calls "Tros" horses, and each painting is appropriate for the action in the book, yet all were centuries ago. I the Sun was our greatest challenge yet, because we wanted to feature the actual kingship seal of our hero. We managed to do it well; we think Suppiluliumas would be amused, or even pleased.
As for why we put so much time and money into covers: if a reader is going to spend the money for a trade paperback or hardcover of ours, they should get something extra: a beautiful cover, respectfully presented.
You can buy Perseid Press books, including The Sacred Band, Tempus, Beyond Sanctuary, The Fish the Fighters and the Song Girl, I, the Sun, the Heroes in Hell series in all its infernal glory, and whatever else we feel is worthy of our efforts, at Amazon and Barnes & Noble, on Nook or Kindle. We are beginning to publish novels by various authors who interest us, not simply anthologies, and enjoying it very well. And now we are releasing audiobooks at Audible.com. The Sacred Band will be our next audiobook release. Mage Blood is our most recent audiobook release, available on Amazon and from Audible.com direct. We love the experience of both creating and listening to audiobooks: this ancient art form of the oral tradition is coming alive again in the 21st century, and we're excited to be a part of it.
That's my story, and I'm sticking to it. For Chris Morris, myself, and all our Perseid authors, Brian, thank you for giving us this opportunity to invite you and your audience into our world of books for the experienced reader....
Brian: Thank you very much.
Where you can find "I, The Sun"
http://www.amazon.com/I-the-Sun-ebook/dp/B00CLH393U
Where you can find "The Sacred Band"
http://www.amazon.com/The-Sacred-Band-ebook/dp/B00AMLKJAI
Where you can find "I, The Sun"
http://www.amazon.com/I-the-Sun-ebook/dp/B00CLH393U
Where you can find "The Sacred Band"
http://www.amazon.com/The-Sacred-Band-ebook/dp/B00AMLKJAI
Tuesday, July 2, 2013
A short interview with Nickie Storey
Today I’m interviewing Nickie Storey, she has a new book that will soon be coming out I believe by the 12th.
Nickie: Brian, I
guess my new book is a mixture of paranormal and girl coming of age who lives a
life fighting evil, and the good guys aren't always so good.
Brian: They're the dangerous type. That sounds really good, and very interesting.
Nickie: Her name is Jordan. She is 17, can kick ass, and is
unsure of her path in life. She lives with her uncle and two older brothers -
one of which she does not get along with... Oh, and she killed her mother.
Brian: Killed her mother? Now I am intrigued. What gave you
the initial ideas for the story?
Nickie: I've always loved anything 'weird' or out of the
norm, such as the paranormal and monsters. I also wanted to write a book that
was more mature in nature and content. I took these elements and combined them
with an idea I got from my favorite T.V. show - Supernatural - and the first
book in The Celadon Circle series was born.
Where you can find Nickie's books.
Friday, June 28, 2013
An interview with Lori Foroozandeh
Today, I’m interviewing Lori Foroozandeh here on the blog.
She has an absolutely amazing story which she has turned into the book, “Lori’s
Song.” I’m looking forward to getting a copy and reading it.
How did
you get through writing this book? There’s some real drama going on here as I’m
looking at the description, it sounds very poignant.
It was very difficult.
When I returned from Iran, I totally went out of control doing drugs,
and drinking, I had no self-control. I
think in the back of my head I wanted to die, which I almost did a couple
times.
But around the end of
2003, people kept telling me to write a book it would be a good catharsis! I started writing and my mind took off. I remembered everything like I was reliving
it. I just sat down and wrote never had
to think about anything. In about 6
months I had it done, but I couldn’t re-read it. So I had my husband do it. I also got a literary agent who had done a
lot of work on it, but in defense of her I added to the book after she and I
were finished with our agreement, so the bad grammar was my fault. To this day I haven’t read the complete book
from front to back. I’ve went over
certain chapters, especially with my therapist.
But I didn’t publish it right away, I got divorced and in 2006 he started urging me to finish it up and publish it. He offered to pay the self-publishing fee, so
in 2009 it was released.
There
was of course a lot of anti-Muslim sentiment here in the US as a result of Sept
11th. How did you deal with it?
I understood it all too well. I can’t say that I hated the Muslims or
people from the Middle East, and to be honest to this day I don’t HATE
THEM. I know it was just the FANATIC
Muslims who did this and not your typical Qur’an abiding Muslim. If you truly read the Qur’an you will see it only promotes basically what the Bible does, nowhere in the Qur’an does it say to kill people from America, or that America is the BIG SATAN. While I am NOT Muslim, I’d like to say something in their defense, they even believe in JESUS, The bible says that Prophet Jesus was crucified to bear God's wrath for the sins of the believers and accordingly he was cursed. On the contrary, Muslims believe, according to the Quran, that he was neither crucified nor cursed but was held and will be held in honor in this life and in the Hereafter.
What do
you want someone to take away from the book?
• To know
that no matter how BAD or UNBEARABLE your life may seem, there is always hope,
there is always your will to survive so please use it.
• Check out
the laws and customs of the country you want to visit. Even Canada or Mexico, you need to know your
rights before you leave this country.
When I got to Iran, the first thing they did at the airport was take my
passport. They told me I needed my
husband’s written permission to leave the country and that my American
citizenship was not honored in their country I was now Iranian because I
married an Iranian and we live in Iran.
And I had no recourse because there is no American Embassy in Iran
• Help one
another, we only live once and we need to learn to give rather than take. I appreciate my life and FREEDOM more than I
ever have in my life. The older I get
the more I appreciate everyday I’m alive.
Does
the cover of your book relate to a specific incident?
That is what the camp looked like it had that type of barbed
wire around it. The moon was so
prominent, that was the only light in the camp, they had these huge lights that
lit up like spotlights when they wanted to check the prisoners at night. It’s funny people think I sat around and pondered things and prayed a lot, to be honest I was too scared all the time to think of anything but living from minute to minute.
So many
will focus on the negatives, I don’t wish to do that. What were your favorite
things about Iran, while you were living there?
The friendliness of strangers, I remember being lost once
when I first started teaching English at this institute, and I had gotten a
taxi to a certain street then I didn’t know where to go, all of a sudden I had
10 people wanting to pay for a cab for me to get me there. MY GIRLS- the ones I taught English too were
my SHINING LIGHTS in Iran. I didn’t know that much Farsi and they didn’t know English so I had to teach them LITERALLY FROM THE BEGINNING, like “Hi how are you”.
I taught for four years and grew so close to those girls and their
families. They were constantly bringing
me gifts and flowers for the day. I
became the TOP TEACHER for three years in a row. These girls would stay a little after class and we would get in a circle and they would ask me questions about America. Questions they couldn’t ask
their parents or would get in trouble for asking. They knew they could trust me. They asked about boys and dating, and just
simple things like clothes shopping. I
loved them so much. Then one of my students LAYLA, was drowned in her father’s swimming pool for not being a virgin on her wedding night. The mother
in law stands outside the door of where the husband and wife copulate and in
the morning if there is no blood they mark them as “whores” and if their father
doesn’t do the respectful thing of killing her, they would have hung her.
I saw hangings in town squares that were watched by everyone
and they even encouraged the children to watch.
They hung women by construction cranes, so it was a slow hanging they
would just slowly lift them up, and what their idea of compassion was allowing
the girls mother to accompany her up to the noose and spend five minutes with
her. It’s all disturbing and barbaric.
I loved the bazaars too, how you could barter for just about
anything, clothes food. They didn’t have
grocery stores like they do here, everything is sold at separate little shops.
Is
there anything else you would care to add would be great.
You need to live your life for TODAY. Write a post it note that reminds you to let people know you love them, and never go
to bed mad. Always kiss goodnight and
always tell people you love them, this goes a long way. We have two choices in life to LIVE it or
EXIST in it. I chose to live it, I hope
you do too. I want to leave with this
writing I did on my site www.loris-song.com when I put it up on the web back in
2008, and for me it’s so true. Thanks for having me Brian.
While Terrorism is a war that starts developing within the
mind,
Religion is a war that antagonizes our conscience, but
Love is always a war within the heart.....
Lori F.5/2002 Share The Peace!
http://www.loris-song.com/ (WEBSITE)
http://lorissong.com/ (BLOG)
https://twitter.com/Loris_Song (TWITTER)
https://www.facebook.com/lforoozandeh#!/lforoozandeh (FB)
http://www.amazon.com/Lori-Foroozandeh/e/B002NSC2DU/ref=ntt_athr_dp_pel_pop_1
(AMAZON)
Thank you, Lori Foroozandeh
Thursday, June 27, 2013
On Nelson Mandela
These are a few of my thoughts regarding Nelson Mandela. He’s of course very ill right now. According to the news I was able to glean that he is on life support as I am writing this. He really is a great man in my mind. It isn't often that a political change like what happened in South Africa occurs without major bloodshed. He helped that country find their way into the new order of things where everyone could truly be equal regardless of their skin color, etc. Usually when something like that happens, the ones that think they are losing it all will fight back. That's simply human nature and it has occurred throughout history. It hurts everyone, including the ones that are fighting back.
One of the things I think of regarding South Africa is Apartheid. We actually had something very similar here in the US, like it or not. It’s part of our history. In fact I grew up in a very racist household, though before I moved out on my own I ditched those beliefs. Part of what caused me to do that was Nelson Mandela and what he had to say.
I also wanted to include in this post something from those that have actually lived in South Africa. Me, I’m an outsider that’s looking in. I’ve gotten fed what the news media to some extent has wanted me to hear. Luckily, for me, I just happen to know some people that live in South Africa and here are the responses.
Wanda Hartzenberg, Preatoria, South Africa
Madiba meant change. A change in definition a change in power and a change in perspective. Mostly a change in perspective. Everybody always say he is a symbol for hope. That hope was borne from change though. He changed himself and for the better. Making his life, his pov and his actions all the more relevant. He changed how we spoke, how we saw ourselves and our place in the world. He changed our language both spoken and our way of thinking. Note that this is a personal slant. I don’t speak for the collective. This is what Madiba means to me. Freedom not only in the conventional understood way but in that he opened up our minds, hearts and country and gave us the opportunity to grow and be part of things, ideas, ideologies we were never before free to be part of.
Aneesa Price, Johannesburg,
Gauteng
Well here goes
my thoughts:
"I remember
a time when, as a Colored girl, my paler brother could go to beaches and movie
houses that I couldn't. I remember living in a less than safe area because it
was one that Colored were allowed to live in and I remember a school that
seemed normal to me then, but if I look back now, I see it for what it is - one
with many disadvantages. Mostly, I remember the riots right on my doorstep with
my father and brothers protecting us in ways they shouldn't have had to and
neighbors turning on each other in their momentary madness.
Then I remember
the day that Nelson Mandela walked out of prison. I watched it on TV with my
family and everyone was so happy, so hopeful. I remember the fantastic things
he did - how cleverly he used sports to unify a nation, his patience and sensitivity,
how words and deeds were things he used selflessly for the betterment of South
African people.
Today, I can
thank him and many others like him, the comrades and freedom fighters, for the
enormous sacrifices they made so that I can love the man I do today (a white
man), have the beautiful children I treasure and the many opportunities I have.
Sometimes it is the big things like those that make the difference - getting to
go to a good university (not a non-white one as in Apartheid times), getting to
marry whom I want and provide my children with a could education. And sometimes
it is the smaller things, the ones we take for granted that make the difference
the most for which I am grateful for. You never know how freeing it is to be
able to just stop and go into a store, see a house in any area and buy it and
take your kids to the nearest hospital... you never know how liberating that is
until you don't have it. Fortunately, time has made me remember enough to be
grateful and to have moved and even more fortunately, my children do not have
those restrictions on them in the least.
Yes, there are
many other challenges South Africa is faced with today but compared to the
past, it is utopia.
Thank you Madiba
for your strength, courage and wisdom. The world may admire you, but we, South
Africans, live our gratitude every day.
"Amandla,
Viva South Africa! Viva Nelson Mandela!"
Tuesday, June 25, 2013
Nature Call's
I had the opportunity to read, "Nature Calls" a while back and I thought it was really good. It's kind of a shared world anthology like those I work on for my publisher, Perseid. As a rule, there's a common theme that will run through every story. In this case, the common theme is nature. My favorite character of all would have to be the Sasquatch. I really liked him.
A little earlier I had a talk with the author, Bonnie Bernard about the book.
Brian: Where did the idea come from for this book?
Bonnie: The idea came to my husband and I one night while we were camping way, way out in the far corners of the Idaho back country. We'd been sitting out in the dark, enjoying the glow of a warm campfire...when a bear snuffled into our camp. Our fearless dog whined and hid behind me, I hollered, "Oh crap!" and my husband shuffled us inside the van. We left everything else outside. The bear pawed around our campsite for a few hours and then wandered off. Meanwhile, we plugged in my laptop and wrote the rough draft for "Transportal Potty".
Brian: How did you like writing Howie and the Sasquatch in this book?
A little earlier I had a talk with the author, Bonnie Bernard about the book.
Brian: Where did the idea come from for this book?
Bonnie: The idea came to my husband and I one night while we were camping way, way out in the far corners of the Idaho back country. We'd been sitting out in the dark, enjoying the glow of a warm campfire...when a bear snuffled into our camp. Our fearless dog whined and hid behind me, I hollered, "Oh crap!" and my husband shuffled us inside the van. We left everything else outside. The bear pawed around our campsite for a few hours and then wandered off. Meanwhile, we plugged in my laptop and wrote the rough draft for "Transportal Potty".
Brian: How did you like writing Howie and the Sasquatch in this book?
Bonnie: Howie and Sasquatch came about because many of my reader-base has a thing for the human-hating demon and I wanted to give them a little treat. Howie thinks Yeti is acceptable, probably because he's not a human.
Brian: You've said before that there is a wildlife organization is who benefits from the books royalties. What charity is it?
Bonnie: The first 100.00 in proceeds goes to Wildlifeforever.org
http://www.wildlifeforever.org/
Here is where you can find the book. http://www.amazon.com/Nature-Calls-ebook/dp/B00AOF616S
Bonnie: The first 100.00 in proceeds goes to Wildlifeforever.org
http://www.wildlifeforever.org/
Here is where you can find the book. http://www.amazon.com/Nature-Calls-ebook/dp/B00AOF616S
Wednesday, June 19, 2013
Last Dance (poem)
Night has fallen, all is dark
Grave markers surround
The spirits begin to move
Twist and writhe around
One reaches within
The curtains part
I stare back at myself
A once beating heart
Into a new realm
Joining in the dance
Last one to attend
There is no second chance
Grave markers surround
The spirits begin to move
Twist and writhe around
One reaches within
The curtains part
I stare back at myself
A once beating heart
Into a new realm
Joining in the dance
Last one to attend
There is no second chance
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